FEET ONLY from Canadablue

I'm trying to get a new banner up, but the last few images are stumping me at the moment.

This "feet only" post is brought to you by this instagram of Tessa:

I know there's a method to Tessa's instagram aesthetic (pregnancy), but what she does with her face on instagram, not only in this image, but in previous images, is getting a little:

Is she gonna start shooting botox into her face by 30? Stuff implants into her cheeks? She seems to be a fan of the look.The profiles and full faces she's instagramming don't even look like her.

If we didn't already know that Tessa herself doesn't believe a word that comes out of her mouth, or posted on her instagram:

Sure honey. Do as I say, and all that. She'll still be coming out with sound bites like that one when she starts injecting her face and lips. She'll be one of those who thinks the work is subtle. To perfectionist Tessa, "imperfection" = any physical sign that you're a human being and not a store mannequin.

And finally:

Ha ha

Skating after the jump:

Reality-based figure skating from canadablue

This skating-centric post is brought to you by more of Tessa Virtue's reality-based instagram output, and her mirror image:

It wasn't a boob day that day. Not to mention, Tessa's photoshop genie decided to slice off the entire left side of her face except for her left eye. Interesting aesthetic choice. The left of her neck also doesn't work with the right side of her neck (image left and image right).

Whoever does these "right half of the image is differently aspected than the left" jobs for Tessa got sloppy with the skirt of the dress. Follow the skirt line on the left of the image up to her hand (the heel of her right hand). That line isn't going to bend behind her, but continue up. They cut it out above her hand/wrist (well, obviously, and as well as liquifying her waist and disappearing the boobs). Not to mention, if her hand is resting on her right hip, that is some set of wide hips compared to that waist and tiny boned upper body - guess Tessa is now an extreme hour glass shape when she's not a hipless wraith.

They also messed up the skirt line in the lower right. I recognize that bend at the bottom (bottom right of the image), because, when experimenting with photoshop/liquify myself, and also on freeware, that weird bend happens all the time when I'm hasty with the radius setting. Also, obviously the edge of the wall on the right is curving inward like nobody's business, but her arm and shoulder conceal the full exent of its inward trajectory. But good job with the extremely low resolution and matching Tessa's skin tone exactly to the wood tone.

Finally, besides the obvious differences between Tessa foreground and Tessa in the mirror, it's just interesting that Tessa in the foreground has skin that's practically synthetic, while the Tessa in the mirror has a back with more realistic skin texture despite being much further away.

This is going to be a very video heavy post with canadablue's annotated ice dance comparisons, but including canadablue's "feet only" videos. I LOVE feet only.

I will add gifs, I THINK, but want to get the post out first and see if having this many video embeds creates any issues.

Before getting started, and thinking that Tanith Belbin this week decided that Paul Islam lack skating skills and you can tell because Mitch yanks and pulls her through the step sequences, and how that started me considering just how ugly, in your face obnoxious, thuggish, asshole and foul the people around this sport intend to become, and how some good skaters are embracing the New Reality (not to be confused with "reality), I looked up some proverbs about lying, and found these, some of which I've read before, and some of which I think are outmoded and/or simply don't apply to the world of skating:

"If you tell the truth you don't have to remember anything. ~Mark Twain".

I believe he's saying if you lie, you have to keep track in order to keep your story consistent. We know that with Scott and Tessa, this doesn't matter. Whatever they said last is the truth. Just delete whatever they said the time before that.

"Who lies for you will lie against you. ~Bosnian Proverb"

Oh, well this one is already happening, but not on the internet. (I'm not counting fan gossip and fan lying.)

"No man has a good enough memory to make a successful liar. ~Abraham Lincoln"

You don't need a good memory to be a successful liar. You don't even need to lie successfully (i.e., have people believe you). You just have to not acknowledge that you're lying and have evidence that you're lying ignored.

"Make yourself an honest man, and then you may be sure there is one less rascal in the world. ~Thomas Carlyle"

No, it's because people suck that Scott and Tessa have to lie. They're very protective.

"A half truth is a whole lie. ~Yiddish Proverb"

I don't think they agree. It's half and half. And shouldn't they get some credit for the true bits?

"Every lie is two lies — the lie we tell others and the lie we tell ourselves to justify it. ~Robert Brault.

Eh, I don't know how many lies people tell include lying to "ourselves". I think what people tell themselves is the truth. "It's easier." "It's more convenient." "Too much trouble to change the story now."

I'm going to start off with the feet only of Papadakis & Cizeron. Thank you canadablue



This is the short dance, where they were beaten by the Shibs. Please remember skating is meant to be scored to the weakest link.

Then PI:



The Shibs:


The Shibs: when she's got skaters whose claim to distinction is, you know, actual SKATING, Marina's choreography kicks ass. This is a fantastic, exhilerating program.

It's not you, Maks

Here is Maks and Meryl's tango from Dancing with the Stars, Season 18, Episode 6.

Meryl's pretty fucking disappointed she got all those nines for
her "samba" last week. She's Meryl Davis. She's entitled to tens
for her bullshit. She's not disappointed in her performance
or the choreo. Just - doesn't understand it. What's with this nines
crap? Meryl Davis gets tens. She went from eights to feeling
entitled to tens in just over a month.

A little refresher. This shoulda been tens.



They proceed to rehearse, and

Maks doesn't understand why she's so fucking timid
(i.e., "small" I believe, and self protective as a mover), why
she's got a memory like a sieve, and why she can't pick up some
basic simple steps or get the rudimentary timing.
Oh Maks. She's Meryl Davis.

Meryl doesn't need to learn new steps.

She's got this:

Note that in the Argentine Tango part of the gif, Meryl does her kick/swing back while Val does a sharp bent knee AT tango inside kick. It's meant to be a mirror move, and sort of tricks the eye that it is, but she's not doing the AT move (haven't reviewed the proper names) that's he's doing.

Don't want to leave anybody in suspense about this week:

Let's lift the veils, and look at how balletic:

There she is.

And she's got this:

 So Meryl tells Maks:

"It's not me. It's you."

The Sports Gene - a/k/a logical fallacies in the Davis White narrative

Charlie White retweeted the above, which links to this:

Root of Athletic Success - NY Times Review

I haven't read the book that's reviewed, but reading the review Charlie linked, it focuses on athletes who may not be the most naturally talented, but compensate by putting in the work. Or, as Tanith Belbin would say, "puttin in the work." Even after "Everyone else gone home."

If you're not gifted compared to, say, your nearest rivals, but you put in Malcolm Gladwell's 10,000 hours (Gladwell postulates this is the magical number for true mastery of a skill), you may end up the winner.

It appears to me that the usual DW narrative presents them as gosh darn hardworking ice dancers.

But that's kind of like Gilles/Poirier presenting themselves as skaters with "personality". Implicit in that label is other skaters lack personality. Because Gilles/Poirier claim personality as their signature, they must  have the MOST personality. That's simply not true of Gilles/Poirier.

Likewise, in the narrative of Davis/White as hard-working athletes who leave it all on the ice, there's the implication that they work the hardest. Just as because their apparent distinguishing characteristics as skaters is that they're fast and powerful, the implication is that they're the MOST fast and powerful.

But they're not. And they're not the hardest working.

What if the naturally talented athletes/rivals work as hard - or harder - as the less gifted athletes/dancers? What if they also are "puttin in the time."? What if, in fact, they thrive on discipline, on challenge, on setting impossible goals and meeting or exceeding them? What if they're so gifted they do this every season, versus doing the kind of hard work that involves repetition of the same stuff you already know?

It appears to me that the US media narrative, and DW's narrative, is that Davis and White are the hardest working, and, through hard work, they've defeated - who? Beautiful dilettantes? Scott and Tessa who just roll out of bed and float through their practice on the strength of natural ability? Scott and Tessa who, like, say, Jessica Dube, never try new things? A lazy Scott and Tessa who "take a break" in the 4CC's fd and still expect to win (the reaction to that event was a red flag in SO many ways. SO many asses showing.)?

Scott and Tessa put in the hours AND take on riskier programs, elements, choreography. Davis and White put in the hours so that they can maintain their delivery of, essentially, a five year old program. Scott and Tessa have improved their speed and power to where even a casual observer can tell they're faster and more powerful than Davis and White - obviously so, all the while executing programs that are increasingly challenging both choreographically and athletically, with skating skills that any idiot can tell are superior to Davis and White's.

Did Scott and Tessa accomplish this over brunch in London?

Scott showed yet another improvement this season - his topline. How did that happen? At fashion shows? He didn't spend hours on the ice with the posture bar? Not for nothing, his topline looks natural, not like something he's thinking about or reminding himself to maintain. There's nothing stiff in it. His skating is as natural and spontaneous as it's always been. What kind of hours does it take to make something unnatural into something natural? What kind of hours PLUS talent for movement does it take? Is talent a dirty word now? Does it imply short cuts, coasting etc? Is talent supposed to be fair? Are we, as a teacher from Scott's old middle school, in an excess of Olympic zeal, once said, ALL supposed to be capable of Olympic gold if we work hard?

What happens when the less talented, but plucky supposed underdog works their ass off vis a vis a far more talented athlete that is working every bit as hard and, on top of that, working smarter? A lesser product plus hard work is more deserving than a superior product plus hard work? Is that the narrative for Davis White and Sochi gold?

I certainly hope they don't hammer down on that theme this year, because every time they do, the implication is Virtue Moir don't work as hard. And they know better. Virtue Moir submit themselves to types of training that DW shun, for example. Neither Davis nor White really wants to spend the time on ballet, which might at least improve their unison and alignment. Scott Moir doesn't strike me as somebody who would embrace ballet given his druthers, but his figure skating career is more important to him than his personal preferences, and he submits to training in that as well as training in myriad other ways that develop his skating. Is it unfair that when Scott applies himself to something like ballet, that he gets results, whereas when Charlie White tries ballet, it doesn't do much for him? Does that say something about ballet or does it say something about Charlie (and Meryl's) abilities?

This may be a season where the narrative is that talent is an unfair advantage.