Showing posts with label Davis White. Show all posts
Showing posts with label Davis White. Show all posts

Sunday, November 16, 2014

FEET ONLY from Canadablue

I'm trying to get a new banner up, but the last few images are stumping me at the moment.

This "feet only" post is brought to you by this instagram of Tessa:


I know there's a method to Tessa's instagram aesthetic (pregnancy), but what she does with her face on instagram, not only in this image, but in previous images, is getting a little:


Is she gonna start shooting botox into her face by 30? Stuff implants into her cheeks? She seems to be a fan of the look.The profiles and full faces she's instagramming don't even look like her.

If we didn't already know that Tessa herself doesn't believe a word that comes out of her mouth, or posted on her instagram:


Sure honey. Do as I say, and all that. She'll still be coming out with sound bites like that one when she starts injecting her face and lips. She'll be one of those who thinks the work is subtle. To perfectionist Tessa, "imperfection" = any physical sign that you're a human being and not a store mannequin.

And finally:

Ha ha
Skating after the jump:

Sunday, November 9, 2014

Reality-based figure skating from canadablue

This skating-centric post is brought to you by more of Tessa Virtue's reality-based instagram output, and her mirror image:


It wasn't a boob day that day. Not to mention, Tessa's photoshop genie decided to slice off the entire left side of her face except for her left eye. Interesting aesthetic choice. The left of her neck also doesn't work with the right side of her neck (image left and image right).

Whoever does these "right half of the image is differently aspected than the left" jobs for Tessa got sloppy with the skirt of the dress. Follow the skirt line on the left of the image up to her hand (the heel of her right hand). That line isn't going to bend behind her, but continue up. They cut it out above her hand/wrist (well, obviously, and as well as liquifying her waist and disappearing the boobs). Not to mention, if her hand is resting on her right hip, that is some set of wide hips compared to that waist and tiny boned upper body - guess Tessa is now an extreme hour glass shape when she's not a hipless wraith.

They also messed up the skirt line in the lower right. I recognize that bend at the bottom (bottom right of the image), because, when experimenting with photoshop/liquify myself, and also on freeware, that weird bend happens all the time when I'm hasty with the radius setting. Also, obviously the edge of the wall on the right is curving inward like nobody's business, but her arm and shoulder conceal the full exent of its inward trajectory. But good job with the extremely low resolution and matching Tessa's skin tone exactly to the wood tone.

Finally, besides the obvious differences between Tessa foreground and Tessa in the mirror, it's just interesting that Tessa in the foreground has skin that's practically synthetic, while the Tessa in the mirror has a back with more realistic skin texture despite being much further away.

This is going to be a very video heavy post with canadablue's annotated ice dance comparisons, but including canadablue's "feet only" videos. I LOVE feet only.

I will add gifs, I THINK, but want to get the post out first and see if having this many video embeds creates any issues.

Before getting started, and thinking that Tanith Belbin this week decided that Paul Islam lack skating skills and you can tell because Mitch yanks and pulls her through the step sequences, and how that started me considering just how ugly, in your face obnoxious, thuggish, asshole and foul the people around this sport intend to become, and how some good skaters are embracing the New Reality (not to be confused with "reality), I looked up some proverbs about lying, and found these, some of which I've read before, and some of which I think are outmoded and/or simply don't apply to the world of skating:

"If you tell the truth you don't have to remember anything. ~Mark Twain".

I believe he's saying if you lie, you have to keep track in order to keep your story consistent. We know that with Scott and Tessa, this doesn't matter. Whatever they said last is the truth. Just delete whatever they said the time before that.

"Who lies for you will lie against you. ~Bosnian Proverb"

Oh, well this one is already happening, but not on the internet. (I'm not counting fan gossip and fan lying.)

"No man has a good enough memory to make a successful liar. ~Abraham Lincoln"

You don't need a good memory to be a successful liar. You don't even need to lie successfully (i.e., have people believe you). You just have to not acknowledge that you're lying and have evidence that you're lying ignored.

"Make yourself an honest man, and then you may be sure there is one less rascal in the world. ~Thomas Carlyle"

No, it's because people suck that Scott and Tessa have to lie. They're very protective.

"A half truth is a whole lie. ~Yiddish Proverb"

I don't think they agree. It's half and half. And shouldn't they get some credit for the true bits?

"Every lie is two lies — the lie we tell others and the lie we tell ourselves to justify it. ~Robert Brault.

Eh, I don't know how many lies people tell include lying to "ourselves". I think what people tell themselves is the truth. "It's easier." "It's more convenient." "Too much trouble to change the story now."

I'm going to start off with the feet only of Papadakis & Cizeron. Thank you canadablue



This is the short dance, where they were beaten by the Shibs. Please remember skating is meant to be scored to the weakest link.

Then PI:



The Shibs:


The Shibs: when she's got skaters whose claim to distinction is, you know, actual SKATING, Marina's choreography kicks ass. This is a fantastic, exhilerating program.

Sunday, October 12, 2014

Nebelhorn: Canadablue compares Chock & Bates to Weaver & Poje

cuteiceprincess's articles will be next. This post took much longer than I anticipated, and I completely blame Chock & Bates, as explained more fully later on in this post.

****

In considering Chock & Bates, it seems to me that, along with, and because of, so much two footed skating, and faking-it-skating, they lack real performance energy.While few skaters will light up the building at a season's first competition, with Chock & Bates, there's little of the natural adrenalin we saw with the Shibs, or that builds in Weaver & Poje in those sections of their program where they find their rhythm and get their feet under them. Chock & Bates mime energy in the choreographic gestures they've been assigned, the arms, the faces, but from the hips down, they're flaccid. They're not building energy with their stroking; momentum is constantly thwarted. As with Davis White, Chock & Bates' programs are constucted to work around, rather than with, their medium (ice)

canadablue's Nebelhorn 2015 FD Comparison, W&P vis a vis Chock & Bates.


Monday, September 22, 2014

Split Post Part 2

The comments section in the post below this one is getting hefty again, so the post has been split to open a new comments section. There should be a new post at some point this week.

*********

P.S. - About twitter sightings and other social media fakery:

Who has Jessica Dube dated since her sham stint ended after Worlds 2012? She's not sharing on her facebook, when her facebook used to chronicle every step she took with Scott Moir. Even after it was restricted, her profile picture did the job. How come when she was "dating Scott Moir" she was spotted thither and yon according to fans, not just with Scott, but in full make out? Since her sham stint terminated, she's been on Battle of the Blades, a program that has more of an audience than any single program Jessica ever skated in her competitive career. She works at Journey to Excel, in the  high profile city of Toronto. She attended fashion week last year. Are we to presume Jessica Dube hasn't been on a date since she was replaced in the sham by Cassandra Hilborn? She's invisible now? Where are the lower ranked skaters who admire her, where are the people whose aunts know her sister and are at the same wedding as Jessica, what happened to various fans who claimed to recognize her in bars or restaurants or airports? Where were the sightings around the BOTB venue and the Journey to Excel facilities?

David Pelletier has a womanizing reputation thanks to getting with Jamie while still married to his first wife. Has he become a monk? He's been on BOTB as well, as a competitor (and won) and on the sidelines. He's on twitter. Did he have plastic surgery to change his appearance? Is there a vow of celibacy? How come he hasn't been "spotted" with anyone since Tessa moved on with Ryan Semple? For that matter, how come all of those people who "spotted" Tessa and Pelletier never had their phones or cameras with them, but the people who "spot" Tessa now so often do? Who is David dating?

Then there's Meryl Davis and Charlie White. They wore gold medals in Sochi and stood on top of the podium. They were stars of one of ABC's top-rated programs and Meryl Davis was announced as the winner. The program had fun keeping Davis fans guessing about her relationship with Maks (and boy did Maks bolt from that the second the show ended, even if it meant people had to think he was getting with JLo). Thanks to frequent close-ups of her in the audience and frequent shout-outs by Charlie, Tanith Belbin's profile rose as well. They're publicly engaged. Where are all the tweets telling us that Charlie and Tanith are right here in this restaurant? Meryl Davis and Charlie are such stars, the paps stalked them to the group vacation they took with the DWTs pros and papped Charlie/Tanith's engagement canoodling. Is Meryl in the same religious order as David Pelletier? She's never out with a guy. Nobody ever sees her with Fedor.

I think she's not seen with Fedor because fans don't WANT her to be with Fedor, so they don't make it up. And because thus far, her relationship with Fedor is by implication only, not ramped up like Tessa and Scott, so Meryl isn't causing it to be done (unlike how the pap stuff on the post-DWTs vacation was - a set up).

I just find it amazing that Tessa is spotted out and about so consistently with Ryan Semple, when she went years without ever being spotted by people on social media, not even when she "dated" Ryan Semple in the past. She gets a twitter account and - voila! She's spotted with him all the time, and it's documented with photos. Was she just not famous enough before she joined twitter?

Has Scott, the guy who partied so hard he was said to be a creepy, coked up hooligan this past spring, reformed so much he never goes out anymore? How can he go so long without being "spotted" #greatpeople, #goldmedalistsx2, #staycool. Or is he just so in love he and Kaitlyn never leave the hotel?

Tessa gets a twitter; suddenly it's Tessa who is being spotted left and right. Before she got twitter, she must have been invisible at every wedding, restaurant, bar, and next day event at both TIFF and fashion week. She gets twitter, suddenly every random on the street can spot her blocks away. Scott's facebook worked the same way. So did Jessica's.

I'm also curious about when Ryan Semple became more famous than Scott Moir. Someone tweeted that her sister was at a wedding, seated at the same table as Scott and Tessa. Why didn't the sister whip out her phone and commemorate the honor, since it was exciting enough to pass on to her sibling? How come this only happens when it's Scott/Kaitlyn or Tessa/Ryan? 

Monday, July 14, 2014

Here we go with posts sharing more great work from the cuteiceprincess tumblr and Lady B. I'm starting with the analysis below, but will continue with the Finn Step and other comparisons.

cuteiceprincess tumblr link:

Stuff every ice dance judging panel missed, year after year, but with all the good intentions in the world

Thanks very much again for the permission from the cuteiceprincess tumblr and thanks especially once again for Lady B's astute comparative analysis of technique and mechanics.

I'm going to say a few things first, and then Lady B's analysis will be clearly highlighted.
We see right here why Davis White crushed Virtue Moir in pcs.
The sport is subjective. We all know what that means.
Subjective means you can either ignore standards and criteria

 and judge however you want, or it means nobody really
knows what the hell is going on out there because we're
talking micro-seconds of time for each thing being judged,
so not even judges are able to tell in real time if the skating
matches the rulebook. Even when you can sort of tell,
the rulebook is just one of the things used to score
this sport. There's all this other stuff, such as is a team on
the ice said to be always giving 110%, or is it just 100%?
To some judges proper technique and deep edges are
important. For others, a mere gesture in the direction
of proper 
technique without actually executing said technique
is
what they're looking for. As Lady B says in her anaylsis, go
ahead and "pose" technique instead of actually using it.
Indeed, this past quad, it's what MOST judges preferred.
I love this first illustration from the cuteiceprincess tumblr because it highlights Meryl's characteristic rocking her torso up and down like Duncan the Drinking Bird.



She never re-orients her center of gravity using her core and power from her blades. It's always this jerry-rigged mess. The strange aspect of her hyper extended arms in the top right screen cap is that her chest is closed and her face is aimed face down at the ice. Good extension/alignment involves an open chest, everything expanding/initiating from the core, opening from your center. Meryl's shoulders and chest are as unengaged as always, she's just got a freakish hyper-extension going on, as with somebody double jointed. The compensation in this woman's "technique" is, as always, both bizarre and mystifying. I wonder if the hyper extension with her arms stems from all the back-hooking she does with her arms, jamming her arm behind her, hooking it over her partner's shoulder up to the armpit in order to anchor herself in many lifts, seeing as she can't balance herself.

After Dancing with the Stars, I said I should really refer to Davis White fans as Meryl Davis fans, since Dancing with the Stars certainly exposed that as true. So, when referencing supporters of the American team, I'll try to remember what to call them.

Meryl Davis fans are welcome to come on in and show why Davis and White are actually doing some great skating here, and why their technique is superior to Virtue and Moir's. In the past, I've seen some Meryl Davis fans link to gifs or screen caps that show, for example, VM on their toes, apparently in the belief that a phrase of movement specifically choreographed on toe picks to highlight latin hip action is just the same as running across the ice on your toe picks in between elements because your stroking is subpar. It would be nice if just once, one of their passionate fans demonstrated how Davis and White are stronger skaters than Virtue and Moir in a way that correlated to the rulebook that governs scoring, and if they used Davis and White as their example. There's been a ton of bizarre complaints that slow motion distorts technique (it doesn't) or deconstruction of technique is irrelevant to the whole (even though taking a program's execution apart piece by piece is precisely how this "sport" is scored). I'd love to hear the case from Meryl Davis fans why Davis & White's skating, technique and execution is superior to Virtue Moir's, using Davis & White themselves as Exhibit I. They were given a gold medal in Sochi - how difficult can the challenge be?

Even Charlie is a mess in the bottom right hand screen cap.

Tuesday, June 24, 2014

Well, they have a lot to be humble about


ETA: this is the most recent link to canadablue's video:

Canadablue's video comparison

Below is canadablue's comparison between Davis and White's lyrical-ish 2014 gala program to Rachmaninov and Virtue and Moir's exhibition version of Mahler, performed in 2010. The original canadablue video compares the DW Rachmaninov performance to three additional Virtue and Moir exhibitions, but the central points are on display in the video's initial look at Davis White in 2014 vis a vis Virtue and Moir in 2010. Those points are:
...to illustrate the difference in difficulty and quality, of both skating and dancing, and especially with regards to how the teams gain and maintain power. Skating to slow music does not necessitate skating slowly. A team's movements can be in time to the music while still allowing them to cross the ice with speed. (canadablue)

Davis and White's bastardized appropriation of what some argue is Virtue and Moir's style is annoying because it exemplifies the bastardization of the sport itself. Never mind the skating Virtue and Moir are executing  -  Davis White merely ape the style, imitate some performance aspects, and, when pasted atop mediocre skating presented with conscious pseudo-import, it's seen as the same thing. While no skater or skating team owns a particular genre, piece of music, or style, I believe in this instance that Davis White's gala exhibition is intended to run the table, mimicking Virtue and Moir, so as to assert that Virtue and Moir have nothing we don't. We're complete.

It's sad. This sport is spitting on itself by pretending this (Davis White) is as good as that (Virtue Moir). It's a further blurring of style and technique, refusing to acknowledge any distinction. Through Davis and White, ice dance encourages fans to see generic styling as indistinguishable from superior skating. Journalists of course follow along. Some even now assume there's actually an artistic mark**, and that the artistic mark comprises things like mood setting, impact, momentum, and other non-technical, non-executional, subjective intangibles.

I'm going to start with canadablue's Davis White vis a vis Virtue Moir Mahler exhibition clips, and later, make gifs.



What bothers me, really, is not Davis White seeming to put on their bastardized Virtue Moir; it's the on-purpose bullshit in their skating. It's how they gesture towards doing something, and, gesture made, drop it. That's enough for them to be declared better than teams that actually do it, and to defeat them.

While gliding in one phrase of their Rachmaninov program, Meryl  "extends"* her right leg to the side, below hip level, and with a sort of showy delicacy, brings it around the front. After she begins, Charlie - gliding in hand hold behind her, miles between his skates and hers - extends his own right leg to the same side as if to follow hers, bringing it around ... and then the entire attempt at matching lines just dribbles out. Deflates. Pfffft. Each of their legs just then dangle down, desultory, and they move into the next thing. The initial gesture is the whole thing.

That's them all over. They're pro forma ice dancers. They appear to initiate something to a phrase of the music, and, gesture made, I bet many people think they did something, such as achieved and sustained matching lines while gliding. Except they didn't. They "present" it as if something's happening, and it's not. That's pretty much all their choreography/skating is, while Virtue and Moir are actually doing it. The sport doesn't want us to appreciate the difference. Considering the enormous gulf between what Davis White do versus Virtue Moir, this is heartbreaking.




*Figure of speech. It's Meryl. She doesn't extend her legs.
**There's no need for any journalist to fact check what they say about figure skating when writing about the actual skating, because there's no accountability in journalism either. Nobody expects somebody writing about figure skating to actually understand the rules or know what's being scored.

Sunday, April 27, 2014

Davis White Off-Balance, Out of Sync in Sochi

These gifs below are from neverendingdreamtumblr. Blogger doesn't permit the posting of gifs side by side; at least I've not been able to troubleshoot that process. So, below, the gifs are angled in a descending sequence instead. On the neverendingdreamtumblr, this gif set is titled: "Why Meryl Davis and Charlie White Shouldn't Have Won in Sochi". Below the gif set there is this caption: "Balance issues, lack of synchronicity and they had problems with their twizzles for all FOUR performances! Perfect GOEs…???"

But of course! What are you going to believe? The protocols, or your lying eyes? What report has more credibility - the skating itself, or the commenting on the skating?

So here we go.









I'm re-posting this from neverendingdreamtumblr, because it's important that video like this is seen by as many people as possible. I encourage everyone to visit neverendingdreamtumblr for these gifs, even though they're also posted here. That tumblr has the gifset neatly formatted in a grid, instead of inartfully angled, and the grid has more impact. The impact this mess deserves.

I'm also re-posting these gifs to push back against the notion promoted, even by Canadian skating interests, that it's impolite, hysterical, obsessive or disrespectful to notice cheating. P.J. Kwong, for example, seems to believe that challenging the results is disrespectful.

What does respect mean to P.J. Kwong? I believe it's disrespectful when a team goes out and skates according to the rules, and elevates the standards of execution set out therein, all the while demonstrating absolutely textbook+ skating according to the criteria that governs the scoring, and the rules are ignored. Instead, right in front of our faces, in defiance of what we've just seen, that team gets ripped off, point stripped, manipulated and low balled. Why? Because the sport can flaunt its lack of accountability.

It's also disrespectful to the skating public when a team produces bastardized bullshit while demonstrating skating technique explicitly discouraged in the guidelines, and is scored as if they skated exemplifying the rules, standards and criteria.

Gaslighting is always disrespectful, P.J.

It's always disrespectful when we're directed and coerced and badgered into accepting a lie as the truth. Everybody involved in telling the skating public to do that can fuck off, and that includes most of the Canadian commentariat. If they want to lie their faces off, that's up to them. But when it comes to pressuring fans to fall in line, who do they think they're talking to? A bunch of "fraus", that's who. "Frau" is biggest perjorative on the internet, and that label is implied in everything the skating commentariat says to and about its fans. It's implied in nearly everything sportswriters say about the fans. I believe the dismissive, trivializing tone used by skating site contributors such as Lynn Rutherford is intended to trigger appeasement and insecurity in the fans who are treated that way, who are embarrassed by the implied "frau" label. That patronizing tone is meant quell those who persevere with pointing out what happened in Sochi. So again, fuck that.

Saturday, March 1, 2014

This Thing of Ours

Two of these things are not like the other three.
BTW - I am going to put up waltzflower's video(s) later tonight or tomorrow.

This post, though, looks once more at the secrecy with which figure skating operates, not just behind the judges' panel but within the organization itself. And more than secrecy, the vague. And how this vague is accepted not just within the sport, but by the media that covers the sport, that legitimizes figure skating as a sport.

Law enforcement and the media call traditionally structured crime organizations of Italian origin the "mafia," or "national crime syndicate," but these organizations historically called themselves "cosa nostra" - "our thing".

I've also been thinking about David Dore:

David Dore is the ISU vice president. He's a figure skater. The ISU president, Ottavia Cinquanta, is a speed skater. Cinquanta doesn't know figure skating, nor know, from what takes place on the ice, if a figure skating event is judged fairly or unfairly. Cinquanta's more like Lynn Rutherford: "The protocols did the same thing before, which means the protocols this time are fair. So shut up."

Dore does know figure skating. I think he's more influential about how figure skating is judged on a grass roots, skater-by-skater basis, than Cinquanta.

About Dore, wikipedia says (yes, I know, but one must start somewhere), first, that he was a Canadian skater, then an international skating judge (seven World championships and the 1984 Olympics), then in 1972 he was "a director" of the Canadian Figure Skating Association (now Skate Canada) and then its president from 1980-1984. He's got a long long long history with Skate Canada.

From wikepedia:

"Dore was at times a controversial leader, known for promoting policies whereby CFSA's national team athletes and coaches were expected to work directly under the control of the central organization. He has also been criticized for failing to support Canadian judge Jean Senft when she acquired evidence of judging corruption at the 1998 Winter Olympics."

"Dore resigned from his paid position at Skate Canada in early 2002 in order to become eligible for an elected position with the ISU. He was elected the Vice President for figure skating at the 2002 ISU Congress and was re-elected in 2006. He has become known as a strong supporter of Ottavio ("Speedy") Cinquanta's policies, such as the adoption of the ISU Judging System and keeping the identity of figure skating judges secret."

I know many people are more familiar with the ISU structure and history than I am, but it's not as if the ISU makes it a simple matter of search and click to get the lowdown on who's who, how it's structured, and who the players are below the very top. For instance, it's easy to find the ISU president, not so easily members of the governing councils. There's more transparency in the actual cosa nostra, actually. Just google. With the ISU, not so, especially when it comes to what the skaters "hear" and who decides what it is skaters should "hear". The who, what, when, where, why and how about that is impenetrable.

This somewhat older article (2012):

Lame Duck

mentions that at the time the article was written, Cinquanta is a lame duck, and that, while Dore is his logical successor, Dore is getting on in years (me: you'd think that would make him a shoo-in with the ISU), he's eligible for the presidency in 2014 only, and not if the elections are delayed until 2016, which is what some people apparently wanted, for the express purpose of preventing him from becoming president.

I'll amend this post as I acquire a clearer picture of things, but the above article (again - 2012) also mentions that former Skate Canada president Benoit Lavoie and French Fed member Didier Gailhaguet are among the aspirants for the presidency. Lavoie himself not long ago resigned Skate Canada in order to throw himself into the embrace of the ISU. We can be sure he made that decision only after devoting himself 1,000% to the best interests of Skate Canada and its figure skaters during his tenure at president, and never once let himself be influenced by a desire to curry favor with the ISU, where his future lay.

Here, let's observe that, for quite some time now, and for all of Scott Moir's public support, Mike Slipchuk has sounded cavalier in almost all of his public commentary. The results of a given competition hardly engage his interest. He was near-dismissive about what happened at the Olympics to Scott and Tessa, didn't seem especially fussed by Patrick Chan's disappointing skates, and I don't think uttered a peep of complaint about the GPF either. He's not pressed about anything. He's been super laid back for a long time, even though he's not the one getting fucked.